Edited Books:

More than the Pain: Affect and Emotion in the Black Lives Matter Movement. Co-edited with Steve Peraza. (Currently under review for publication).

(Re)framing the Feminine: Women’s Studies, Feminism, Gender Identity and the Academy. Co-edited with Noelle Chaddock. (currently under review for publication).

Hinderliter, Beth, William Kaizen, Vered Maimon, Jaleh Mansoor, and Seth McCormick. Communities of Sense: Rethinking Aesthetics and Politics. Durham, N.C.: Duke University Press, 2009.

Book Chapters:

“Diversifying Shared Governance: Intentional Strategies and Best Practices.” co-authored with Noelle Chaddock. In S. F. Cramer, ed., Shared Governance:  Demands, Transitions, Transformations. Volume 1. (Albany, NY:  SUNY Press, 2017): 221-228.

“Race as episteme in Africana Studies,” co-authored with Noelle Paley. In Africana Studies: Beyond, Race, Class and Culture.Edited by John Marah and Seth Asumah, (Dubuque, IA: Kendall Hunt, 2015): 9-15.

Articles:

“Playing Bones: Pia Lindman in Buffalo.” Forthcoming in TDR (2017).

“Arts and Aesthetics in a Globalizing World: Review.” Anthropos 112 (2017): 323-324.

“Seeing Paris in Total Darkness: The Aesthetics of Opacity in Nicolas Klotz’s and Élisabeth Perceval’s La Blessure,” African and Black Diaspora: An International Journal V. 9, Issue 3 (2015). Special issue on “Black Paris: Place, Circulation and the Mapping of Black Experiences.” http://dx.doi.org/10.1080/17528631.2015.1085662

“Producing the Common, Dak’Art 2014: Ugochukwu-Smooth C. Nzewi in Conversation with Beth Hinderliter.” NKA: Journal of Contemporary African Art 36 (Spring 2015): 88-93.

“An International Alliance of ‘Colored Humanity’: Robert Williams in Asia,” Journal of Postcolonial Writing V. 50 Issue 4. (2014): 435-451. Special issue on “Alternative Solidarities: Black Diasporas and Cultural Alliances During the Cold War.” 

“Citizen Brus Examines His Body: Actionism / Activism in Vienna, 1968.” October 147 (Winter 2014): 78-94.

"The ArtEast School for Contemporary Art: Interview with Gulnara Kasmalieva and Muratbek Djumaliev," Journal of Inquiry and Action in Education: Vol. 6: Iss. 1, Article 7. Available at: http://digitalcommons.buffalostate.edu/jiae/vol6/iss1/7

“The Power of the Virtual: Intensive Movement.” Theory and Event 13.3 (2010). http://muse.jhu.edu/journals/theory_and_event/summary/v013/13.3.hinderliter.html

“Interview with the Artists of the Spurse Collective.” Drain 11 (Fall 2008), http://www.drainmag.com

“The Multiple Worlds of Cindy Sherman’s History Portraits.” Art Bulletin of Victoria 44 (2004): 26-33.

“Yvonne Rainer’s Murder and murder.”  New Art Examiner 24 (March 1997): 40- 41.

Books in Preparation:

Aesthetics Against Austerity: Contemporary Art, Racial Capitalism and Debt.

• E.O. Smith Arts and Humanities Faculty Development Award, 2017
• Wolfsonian Museum, Miami Florida, Research Associate Award, 2015
• Buffalo State Undergraduate Research Mentor Award, 2015
• United University Professionals Individual Development Grant, 2014
• Muriel A. Howard Excellence in Diversity Award, 2014
• Buffalo State Faculty Student Association Grant, 2013-2014
• Buffalo State Allocation Grant, 2013
• Buffalo State Equity and Diversity Mini-Grant, 2013
• Bentley Historical Library Award, University of Michigan, 2012
• SUNY Research Foundation Grant, 2012
• Buffalo State Provost Grant, 2012
• Buffalo State Diversity Grant, 2011   
• C.V. Starr Foundation Fellowship, Columbia University, 2005-2006
• Columbia University Research Fellowship, 2004-2005
• DAAD Fellowship, 2003-2004. Residence in Berlin, enrollment at the Freie Universität, Berlin
• Columbia University Teaching Fellowship, 2001-2002.