(Please note that this page is for information about the Undergraduate application and audition process ONLY. For information about the Master of Music (M.M.) and Doctor of Musical Arts (D.M.A.) programs, please visit those respective programs' application pages.)
The School of Music offers a comprehensive undergraduate program which strives for the highest quality in music performance and academic study. All entering freshmen, transfer students and previously enrolled students seeking re-admission must complete the following steps, IN THIS ORDER, to be considered for undergraduate admission to JMU and the School of Music:
1. Submit a University Admissions Application to the JMU Office of Admissions.
2. Apply to the School of Music via online application. Please register for your audition day from one of the links below. Auditions may not be scheduled by telephone and you must register for an audition no later than 6 days before the scheduled date.
3. Submit additional materials prior to your audition to the School of Music Admissions Office.
- One or two music letters of recommendation
- Unofficial high school transcript
- Music Resume or Music Background Questionnaire.
All supplemental materials should be sent via email or regular mail.
Mail: James Madison University
School of Music, MSC 7301
880 S. Main Street
Harrisonburg, VA 22807
4. Audition with the School of Music on your selected date. (You'll find more information about the audition process below.)
For more information, please contact:
Dr. J. Michael Priester
School of Music, MSC 7301
James Madison University
Harrisonburg, VA 22807
- Early Notification Program: October 31, 2015
- Regular Decision: January 14, 2016
- Spring 2016 Admission: October 14, 2015
- Summer 2016 Admission: January 14, 2016
- Fall 2016 Admission: February 29, 2016
- Spring 2016 Term (January - May): September 31, 2015
- Summer 2016 Term (June - July): December 31, 2015
- Fall 2016 Term (August - December): March 31, 2016
. . . for vocalists:
All voice students are required to present two selections of contrasting style with a comfortable level of difficulty. These selections should be of classical nature, either art songs or arias, and one must be in a foreign language. An audition specifically intended to qualify for the music theater program may include one selection from a Broadway musical. Pop and/or folk songs are not acceptable for an audition for any vocal concentration.
Vocalists must sing with a live accompanist at the piano. Taped accompaniments are not acceptable. Singers may bring their own accompanists, which is most desirable, or they may opt to request an accompanist. If a JMU accompanist is requested, rehearsal time will not be available, and singers must provide copies of the music at the audition. Vocalists may be asked to sight sing as part of the audition.
. . . for pianists:
All piano students must prepare a minimum of two contrasting selections that will demonstrate their technical and musical ability. Pieces should be at the level of Beethoven, Mozart or Haydn sonatas; Bach preludes and fugues; and similarly representative works from the 19th and 20th century. Memorization is encouraged. Students should be prepared to play various scales and/or arpeggios. All auditioning piano students must provide a thorough repertoire list that will be placed in the candidate's file. Students interested in Jazz Studies must perform piano literature that includes both jazz and classical styles.
. . . for composers:
In addition to a required applied area audition, students who wish to gain entrance into the composition program must also submit two new musical works and request a composition interview on their admission application.
. . . for guitarists:
The purpose of the audition is to evaluate musicianship, disposition and the ability to play classical guitar, weighed against the standards and needs of the School of Music. To make the audition a useful means of evaluation, it is of utmost importance that students choose pieces they can play well and that are well within their musical and technical abilities. Students are required to perform three pieces of classical guitar literature on a nylon-string instrument. Each selection must be chosen from a different style period (Renaissance, Baroque, Romantic or 20th century). Pieces selected must demonstrate the following techniques: slurs, arpeggios and scales.
. . . for harpists:
Harp students should perform two contrasting solos and one standard orchestra excerpt of choice.
. . . for clarinetists:
All clarinetists MUST play his/her audition on B-flat soprano clarinet. Please DO NOT audition on e-flat, bass clarinet or contra-bass clarinet or prepare any repertoire for these instruments. The B-flat soprano clarinet will be the primary instrument of study in the clarinet curriculum. Audition repertoire for B-flat soprano clarinet will consist of the following: All major scales in two octaves, three octaves where appropriate (ex: F, G, E and F-sharp Major), ascending/descending chromatic scale beginning on low E through altissimo G, two contrasting pieces one demonstrating slow, lyrical playing and one demonstrating technical agility. Appropriate etudes would be selections from the Rose 32 or 40 etudes; Appropriate solo repertoire: C. M. Weber: Concertino for clarinet op. 26, Concerto no. 1 in f-minor, Mozart: Clarinet Concerto K. 622, Finzi: Five Bagtelles or similarly standard concerti, sonatas, or solo works for clarinet.
. . . for percussionists:
Percussionists should perform a prepared solo on snare drum (or multiple percussion that includes snare-drum technique) and keyboard (marimba, xylophone or vibes) and will be asked to sight-read on snare drum and marimba. A tympani solo is optional. If you want to show expertise on drum set, please bring a tape or CD of you performing with any ensemble to the audition.
. . . for other instrumentalists:
Instrumental students must prepare a minimum of two selections of contrasting styles and character that will demonstrate their technical and musical ability. These selections should be of a classical nature such as the standard solo repertoire listings on the state and national level, grade IV or above. Other comparable works are acceptable, such as movements of a sonata or concerto, or a classical etude. Memorization is not required. Students should be prepared to perform various scales and/or arpeggios. Instrumentalists may bring their own accompanist or perform without accompaniment.
The School of Music is pleased to be able to award increased scholarship funds for outstanding incoming music majors. Awards are determined on performing ability, need and availability of funds; most are renewal for multiple years. Additional opportunities include housing awards and admission to the Wayland Arts Learning Community. Scholarships are awarded on the basis of evaluations at your audition with the School of Music. A special scholarship audition is not required, but a live audition will be necessary for scholarship consideration. Awards are determined by studio faculty members and coordinated with the Office of Financial Aid and Scholarships. Please note that if you are a transfer student on scholarship at another school, you will only be considered for an award at James Madison University if the music executive of your current school sends a written release to the director of the School of Music.