1" Type "C" Videotape 2" Quad Videotape - (1) 2" Quad Videotape - (2) 24-Bit Color 3/4" Videotape 4 Part Television Signal 4 X 3 Aspect Ratio - (1) 4 X 3 Aspect Ratio - (2) 16 X 9 Aspect Ratio 16 X 9 Aspect Ratio - Peripheral Stimulation 180º Rule Additive Color Additive Color - (in Television) Analog to Digital Conversion Anti-Aliasing Aperture Approximate Color Consistency ASCII Character Set Aspect Ratio - (1) Aspect Ratio - (2) Atoms (vs. Bits) Audio - Hi-Fi Stereo Audio - Linear Stereo Back Light Bandwidth Barn Doors Basic Television System Betacam/Betacam-SP Bit Depth Bit Depth (Reducing) Bits Bits (vs. Atoms) Bit Arrangement Brightness Broadcasting (Delivery) Bus Topology Bytes Cable Television (Delivery) Camera - Charge Coupled Device (CCD) Camera - Dichroic Filters Camera - Parts Camera - Prism Block Camera to Object Distance - Minimum Camera to Object Distance - Rel. to Depth of Field Capturing CD-Quality Audio Charge Coupled Device (CCD) Charge Coupled Device - Shutter Speed Chin Room Client/Server Color - Additive Color - Attributes Color - Brightness Color - Hue Color - Subtractive Color - Saturation Color Cube Color Difference Signal Color Modes Color Temperature - Adjusting a Camera Color Temperature - Daylight Color Temperature - Fluorescent Color Temperature - Improper Adjustment 1 Color Temperature - Improper Adjustment 2 Color Temperature - Indoor Lighting Color Temperature - White Light Complementary Colors (Additive) Component Video - Definition Component Video - Color Difference Component Video - Videotape Composite Video - Definition Composite Video - Color Under Composite Video - Encoding Composite Video - Problems Composite Video - Videotape Composition - 180º Rule Composition - Aspect Ratio Composition - Definition Composition - Field of View Composition - Head Room/Chin Room Composition - Lead Room Composition - Linear Perspective Composition - Looking Room/Nose Room Composition - Overlapping Planes Composition - Rack Focus Composition - Relative Screen Size Composition - Rule of Thirds Composition - Screen Size Composition - Selective Focus Composition - Underscan vs. Overscan Composition - Z-Axis Compressed Perspective ("Apparent") Compression Compression Amounts Compression - JPEG Compression Rates Computer Color Contrast Ratio Contrast Ratio - Calculating Contrast Ratio - Exceeding 30:1 Contrast Ratio - Video & Film Compared Control Track Converting Film to NTSC Cookies Cropping Cropping Crimes Cucalorus Daylight Depth - Creating Depth of Field - Definition Depth of Field - Great Depth of Field - Rel. to Camera to Object Distance Depth of Field - Rel. to F-Stop Depth of Field - Rel. to Focal Length Depth of Field - Shallow Digital Subscriber Line (DSL) Digital Non-Linear Editing Digital Video - (24-bit color) Digitizing Digitizing Audio Dimensional Mergers Dithering Dynamic Composition Electromagnetic Spectrum Electromagnetic Spectrum - Broadcasting Electromagnetic Waves Electronic Delivery Paths (4 Paths) Ellipsoidal Spots Essential Area Ethernet Expanded Television System Expanded Television System - (with transmission) Extended Character Set F-Stops F-Stops - Amount of Change F-Stops - Derivation of F-Stops - Lens Speed F-Stops - Numbers F-Stops - Rel. to Depth of Field F-Stops - Rel. to Shutter Speed Falloff False Reverse Field of View Fields - General Fields - Specs Fill Light Filter Frames Fluorescent Lighting Focal Length - Definition Focal Length - Diagram Focal Length - Rel. to Depth of Field Focal Length - Rel. to Images Size/Angle of View Foot Candles Frame Rate Frames Frequency Fresnel Light Full-Color Video Full-Motion Video Full-Screen Video Full-Screen/Full-Color/Full-Motion Video Generational Loss GIF Images GIF Transparency Graphic File Formats Grayscale Great Depth of Field Hard Light HDTV - Aspect Ratio HDTV - High Definition Television HDTV - Comparison to NTSC HDTV - Comparison to Motion Pictures HDTV - Peripheral Stimulation Head Room Hexadecimal Color Helical Scan Videotape Hertz Hi-8 Videotape Hi-Fi Audio How TV Works Hue Image Size Incident Light Meter Indexed Color Interframe Compression - (1) Interframe Compression - (2) Interlacing Internet Internet - Packet Transmission Intraframe Compression - (1) Intraframe Compression - (2) Involving the Camera Jaggies JPEG Images Kelvin Scale Key Light Lead Room Lens Aperature Lens - F-Stops Lens Housing Lens Information Lens - Macro Lens - Range Extenders Lens Speed Letterbox Letterbox - Credits Light Coherence Light - Measuring Intensity Light - Spectrum of Colors Light Meters Light Meters - Incident Light Meters - Reflected Lighting Grid Lighting Instruments Lighting Ratio (Back to Key) Lighting Ratio (Key to Fill) Linear Audio Linear Editing Linear Perspective Lines of Resolution Looking Room Lossless Compression - (1) Lossless Compression - (2) Lossy Compression Lossy Compression Lux MII Videotape Format Macro Lenses Minimum Camera to Object Distance Networks Networks - Architecture Networks - Protocol Networks - Topology Non-Linear Editing Nose Room NTSC - National Television Systems Committee NTSC - Comparison to HDTV Operating Light Level Overlapping Planes Overscan Packets (Internet Packets) PAL - (Phase Alternating Line) Pan-and-Scan Perisistence of Vision Phi-Phenomenon Pitch Pixel Depth - (1) Pixel Depth - (2) Pixels Point of Critical Focus Pointilism Primary Colors (Additive) Prism Block Quantization Quartz Lighting Rack Focus Range Extenders Reflected Light Meter Relative Screen Size Resolution (Computer) RGB Color Ring Topology Rule of Thirds Safe Area Sample Size Sampling Sampling Rate Satellite (Delivery) Saturation Scaling Scoops Screen Size Screen Size - Resolution Scrims SECAM - (SEquential Color And Memory) Selective Focus Shallow Depth of Field Shutter Speed Shutter Speed - Rel. to F-Stops SMPTE Color Bars SMPTE Color Bars - Grayscale SMPTE Color Bars - Setup Soft Light Sound Waves Star Topology Static Composition Subtractive Color S-VHS Videotape Telephone Lines (Delivery) Terminal Emulation Terrestrial Broadcasting (Delivery) Three-Quarter Inch Videotape Time Code - Display of Time Code - General Time Code - Longitudinal (LTC) Time Code - Vertical Interval (VITC) Token Ring Track Arrangement Transverse Scan Triangle Lighting Tubs TV Basics - Video & Audio Underscan Variable Focal Length Lens Vectorscope VHS Videotape Videotape - 2" Quad Videotape - Audio Tracks Videotape - Control Track Videotape - Generational Loss Videotape - Helical Scan Videotape - Transverse Scan Videotape Formats Video Signals - Methods Web Palette White Balancing White Balancing - Results of Doing Improperly Y-C Video Y-C Video - Videotape Z-Axis Z-Axis - Creating Depth Zoom Lens - Definition Zoom Range
