Sat, 31 Oct 2026 5:00 PM - 6:00 PM

Music

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with Elizabeth Williams & Sam Suggs, piano
Saturday, October 31, 2026
5:00pm
Forbes Recital Hall

Please silence all electronic devices & dim screens.

Unauthorized videotaping or any other recording of this production is strictly prohibited in adherence with Federal copyright laws.

Program

"S'io ti guardo ti sdegni" - Francesca Campana (1610-1665)
"Der Zauberer" - Wolfgang Amadeus Mozart (1756-1791)

Jaya Whaley, contralto

 

With Conviction and Be Passionate - Rufus Reid (b. 1944)

Jolie Prasad, double bass

 

"Frülingsgruß," Op. 45, No. 2 - Eduard Lassen (1830-1904)
"Bie dir ist es Traut" from Fünf Lieder - Alma Mahler (1879-1964)

Jaya Whaley, contralto

 

Double Bass Concerto in D Major - Karl Ditters Von Dittersdorf (1739-1799)

II. Adagio

Concerto for Double Bass in C Major - J.B. Vanhal (1739-1813)

I. Allegro moderato

Jolie Prasad, double bass

 

"Nuit D'etoiles" - Claude Debussy (1862-1918)

Jaya Whaley, contralto

 

Ondas - Sonia Ray

Jolie Prasad, double bass

 

"Bookseller in the Rain" from December Songs - Maury Yeston (b. 1945) 
"Love in the Thirties" from Cabaret Songs - William Bolcom (b. 1938)

Jaya Whaley, contralto

 

Rosemary - Deftones, arr. Jolie Prasad

Jolie Prasad, Gabriella Bieberich, Jack Choi, & Lindsey Lam, double basses

 

"I Put a Spell on You" - Jalacy Hawkins (1929-2000) & Herbert E. Slotkin (1926-1979)

Jaya Whaley, contralto; David Barredo, saxophone

 

"Hit Me with a Hot Note" from Sophisticated Ladies - Duke Ellington (1899-1974)

Jaya Whaley, contralto; Jolie Prasad, double bass

"S'io ti guardo ti sdegni"
Composer: Francesca Campana (1610-1665)
Poet: Théodore de Banville (1823-1891)

Francesca Campana was a talented singer, harpsichordist, and composer in the Baroque era. She was born in Rome to an influential Italian family. This gave her access to an education which was atypical for women at the time. She quickly became regarded as one of the best singers in Rome. Her published works are expressive and feature chromaticism. I love this piece because it’s from the perspective of a woman continuing to see her beauty as she ages.  

S’io ti guardo ti sdegni, 
s’io ti parlo tu fuggi, 
e sdegnosa e fugace ogn’hor  
mi struggi. 

(If I look at you, you scorn it, 
if I talk to you, you flee, 
and resentful and fleeting every hour you torment me.)
 
Se m'odii perchè vedi pallido il volto  
e già canuto il crine, 
non dispreggiarmio ben, 
le pelle grine bellezze che possiedi,  
che se ciascuna è nel mio core impressa.  
 
(If you hate me because you see the pale face 
and the hair already grey, 
do not despise me my love, 
the skin wrinkled beauties that I possessed, 
each one is imprinted in my heart.)

Disprezzando il mio core sprezzi te stessa. 

(Despising my heart, you despise yourself.)


"Der Zauberer" (The Sorcerer)
Composer: Wolfgang Amadeus Mozart (1756-1791)
Poet: Christian Felix Weiße (1726-1804)

Wolfgang Amadeus Mozart was a child prodigy who was trained by his father, Leopold Mozart. He was proficient in violin and piano by the age of 5. He moved to Vienna in 1781 to work as a composer. He was one of the first artists to establish himself as a freelance musician. He was appointed as the composer of court chamber music in the Vienna court. 

Ihr Mädchen, flieht Damöten ja! 
Als ich zum erstenmal ihn sah, 
da fühlt’ ich, so was fühlt’ ich nie. 
Mir ward, ich weiß nicht wie. 
Ich seufze, zitterte, und schien mich doch zu freu’n; 
glaubt mir, er muß ein Zaub’rer sein! 
(You maidens, run if he comes near! 
For when I saw him first appear, 
I felt as I’d not felt before.  
It seemed, oh no I can’t say more. 
I sighed, I shook and yet was pleased to some degree; 
I know he must a sorcerer be!)
 
Sah ich ihn an, so ward mir heiß. 
Bald ward ich rot, bald ward ich weiß, 
zuletzt nahm er mich bei der Hand; 
wer sagt mir, was ich da empfand? 
Ich sah, ich hörte nichts, sprach nichts als ja und nein; 
glaubt mir, er muß ein Zaub’rer sein! 
(I looked at him, he turned his head.  
First I grew pale and then quite red,  
it’s true, and then he took my hand; 
oh, who can tell what he had planned? 
A “no” a “yes”, the only words that came from me; 
I know he must a sorcerer be!) 
 
Entbrannt drückt’ er mich an sein Herz, 
was fühlt’ ich! Welch ein süßer Schmerz! 
Ich schluchzt’, ich atmete sehr schwer, 
Da kam zum Glück die Mutter her. 
Was würd’, o Götter, sonst nach 
so viel Zauberei’n? 
Aus mir zuletzt geworden sein!
(He warmly pressed me to his chest,  
oh, what I felt! Such sweet distress! 
I cried, I said “what do you mean” 
And then mama came on the scene. 
A lucky thing, who knows what would become of me?
No girl can stand such sorcery!)

 "Frülingsgruß," Op. 45, No. 2 (Spring Greeting)
Composer: Eduard Lassen (1830-1904)
Poet: Joseph von Eichendorff (1788-1857)

The art song "Frühlingsgruß" composed by Eduard Lassen with lyrics by Joseph von Eichendorff was first published in 1873. Eduard Lassen was a Danish composer and conductor who lived and worked in Belgium for a majority of his career. He utilized elements of both German and Belgium folk music in his work.  He won the prix de Rome in 1851. He attended the Brussels Conservatory. He was the court music director in Weimar. He conducted the first performance of Wagners’ Tristanurd Isolde. Joseph von Eichendorff was a German poet, novelist, and playwright born in Prussia. He valued theater above school. He studied law and humanities. He was a writer and critic of romanticism. Due to losses in his life, the death of two siblings and two daughters at young ages, a primary focus of his works is death. However, this poem is quite the opposite, focusing on the joy of spring beginning.

Es steht ein Berg in Feuer, 
in feurigem Morgenbrand. 
Und auf des Berges Spitze, 
ein Tannbaum überm Land. 
 
(There is a mountain on fire, 
in the blaze of morning. 
And on the peak of this mountain, 
a fir tree overlooking the land.)
 
Und auf dem höchsten Wipfel 
steh’ ich und schau vom Baum. 
O Welt, du schöne Welt du; 
man sieht dich vor Blüten kaum. 
(And on the highest branch 
I stand, looking out. 
O world, so steeped in beauty; 
I can hardly see you for all the flowers.)

 "Bei dir is es Traut" from Fünf Lieder
Composer: Alma Mahler (1879-1964)
Poet: Unknown

Alma Mahler, born in Vienna, was a composer, author, editor, and socialite. In her youth she received piano and composition lessons which nurtured her musical ability. She composed close to fifty songs but only seventeen are known to survive. What draws me to her compositions is the depth and complexity of the accompaniment which seamlessly complements the vocal line.  

Bei dir ist es Traut,  
zage Uhren schlugen  
wie aus alten Tagen,  
kann mir ein Liebes sagen,  
aber nur nicht laut! 
(All is peaceful wherever you are,
clocks strike hesitantly, 
as in olden days. 
Say something loving to me  
but not too loudly! _
 
Ein Tor geht irgendwo 
draußen im Blütentrieben, 
der Abend horcht an die Scheiben. 
laß uns leise bleiben  
Kiener weiß uns so! 
 
(A gate opens somewhere 
outside in the blossoming flowers, 
evening listens at the window panes. 
Let us stay quiet 
no one knows us thus!)

 "Nuit d'étoiles"
Composer: Claude Debussy (1862-1918)
Poet: Théodore de Banville (1823-1891)

Claude Debussy was born in France and began attending the Paris Conservatory for piano and composition at age ten. As Impressionism gained prominence in Europe, Debussy was inspired by the writers and painters of the era, eventually becoming one of the impressionistic movements' most influential composers. Nuit d’étoiles (Starry night) was composed in 1880, written when Debussy was just eighteen years old. There is a juxtaposition of the starry night and the performers grief over lost love that is beautifully captured by Debussy's setting of Théodore de Banville’s Poem. 

Nuit d’étoiles, 
sous tes voiles, 
sous ta brise et tes parfums, 
triste lyre qui soupire, 
je rêve aux amours défunts. 
(Night of stars 
beneath your veils, 
beneath your breeze and fragrance, 
sad lyre that sighs, 
I dream of bygone loves.)
La sereine mélancolie 
vient éclore au fond de mon cœur, 
et j’entends l’âme de ma mie 
tressaillir dans le bois rêveur. 
(Serene melancholy 
now blooms deep in my heart, 
and I hear the soul of my love 
quiver in the dreaming woods.)
 
Je revois à notre fontaine 
tes regards bleus comme les cieux; 
cette rose, c’est ton haleine, 
et ces étoiles sont tes yeux. 
(Once more at our fountain I see 
your eyes as blue as the sky; 
this rose is your breath,  
and these stars are your eyes.)

 "Bookseller in the Rain" from December Songs
Composer & lyricist: Maury Yeston (b. 1945)

The song cycle December songs follows a heartbroken woman in central park. This song cycle was inspired by Shubert’s song cycle Die Winterreisse in which a man wanders the streets of Vienna as he descends into madness. This piece was commissioned by Carnegie Hall in 1991 for its centennial year celebration, an eleven day festival; a celebration of one hundred years of performances. 


"Love in the Thirties" from Cabaret Songs
Composer: William Bolcom (b. 1938)
Poet: Arnold Weinstein (1927-2005)

William Bolcom is an American composer and pianist whose style and compositions range from classical to pop music. His Cabaret Songs, a four-volume collection completed in 1966, pair his music with texts by poet and playwright Arnold Weinstein. Weinstein was a long time collaborator of Bolcom, and his writing was well suited for the chatty and theatrical nature of cabaret. Love in the Thirties portrays a late night conversation between a child curious about the world and a father who patiently answers while steering toward bedtime.  


"I Put a Spell on You"
Composers: Jalacy Hawkins (1929-2000) and Herbert E. Slotkin (1926-1979)

Jalacy “Screamin’ Jay” Hawkins was an American singer, songwriter, and pianist known for his theatrical performance style and influential contributions to rhythm and blues. Co-written with Herbert E. Slotkin, I Put a Spell on You was first conceived as a blues ballad before Hawkins transformed it into the uninhibited performance that became his signature recording in 1956. Slotkin was a record producer and music publisher whose work helped bring the song to audiences. The most famous rendition of this song is performed by Nina Simone which has a strong jazz influence.


"Hit me with a Hot Note" from Sophisticated Ladies
Composer: Duke Ellington (1899-1974)
Lyricist: Don George (1909-1987)

Duke Ellington, originally Edward Kennedy Ellington, earned his nickname in childhood for his dapper style and refined manners. He was raised in Washington DC. He began piano lessons at age 7 and his first composition was written at age 15. In his career of over 50 years as a pianist, composer, and conductor he wrote just shy of 2,000 compositions and performed over 20,000 times. His last words were “Music is how I love, why I live, and how I will be remembered.”

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