Wanchi, born in Taiwan, started playing violin at age six and came to the U.S. at age 13 to study at the Peabody Conservatory and the Baltimore School for the Arts, soloing with the Baltimore Symphony Orchestra under conductor Catherine Comet a year later. She went on to earn a Bachelor of Music from the Curtis Institute of Music, a Master of Music from The Julliard School, and a Doctor of Music from Indiana University. She has given highly acclaimed recitals and collaborated with internationally renowned performing artists in chamber music performances throughout the United States, including at the Kennedy Center. She has served as an adjudicator at the Hong Kong Music School Festival multiple times and as a performing instructor at the Bay View Music Festival in Michigan for the past five summers. She has presented at the ASTA National Conference on multiple occasions and her CD of Eugène Ysaÿe Sonatas for Solo Violin is being released in the fall of 2013 under the Centaur Records label. She is currently under contract with the same record company to record the Six Sonatas and Partitas for Solo Violin by J.S. Bach. A founding member of the Trio Sorpresa, a piano trio newly formed in 2013, Wanchi is looking forward to their scheduled concert tours in the near future.
She currently resides in Harrisonburg, Virginia, where she teaches a full violin studio at the James Madison University School of Music.
Click the following links for Wanchi's concert recordings:
Eugène Ysaÿe - Sonatas for Solo Violin
Sonata No.1 Grave
Sonata No.4 Allemanda
Dr. Robert McCashin, born in Chattanooga, Tennessee, began playing the violin at the age of 11, following a short period of piano study. Under the tutelage of Jerrie Cadek Lucktenberg, Dr. McCashin progressed at a rapid pace, becoming the Co-Concertmaster of the Chattanooga Youth Symphony at age 14, and Concertmaster by age 15. A year later, at age 16, he successfully auditioned for and won a position as a professional member of the Chattanooga Symphony Orchestra.
Dr. McCashin completed both the Bachelor of Music and Master of Music degrees in Violin Performance at Louisiana State University. The following year, he accepted a position as Assistant Professor of Violin at Texas Wesleyan College in Fort Worth, TX. During his time in the Dallas/Ft. Worth, he successfully auditioned for posts in both the Fort Worth Symphony Orchestra and the Fort Worth Opera Orchestra. As a member of the Ft. Worth Opera Orchestra, he was Principal violinist for four to five major opera works per year, having the opportunity to work with internationally renowned opera singers, such as Beverly Sills and Placido Domingo as well as a wide range of nationally known guest artists and conductors. He was also a member two professional string quartets. One, the Kimball Quartet, performed multiple annual concerts at the Kimball Art Gallery in conjunction with each of their major art exhibits.
In addition, he played performances with numerous other regional professional orchestras throughout north and central Texas, including the Wichita Falls and Waco Symphony orchestras, played in a variety of settings, including recording studio work in Dallas, as an orchestral musician for the Van Cliburn International Piano Competition, and in backup ensembles throughout the metroplex with a broad range of nationally known performers such as Ella Fitzgerald and Lena Horne.
Dr. McCashin has studied with a variety of fine teachers, including Jerrie Cadek Lucktenberg, Dinos Constantinides and John Farrell, who was a direct student descendant of Galamian. Dr. McCashin has performed in masterclass settings with several well-known violinists, including the late Henryk Szerying. Dr. McCashin’s performance experiences include nearly 30 years of solo recitals, extensive chamber music performance and nearly 30 years as a professional orchestral musician. Along with his extensive performance background, Dr. McCashin has taught violin at the college/university level for more than 35 years. His students have gone on to well established graduate programs, are highly successful teachers in the public schools and perform professionally as members of chamber ensembles and orchestras throughout many locations across the U.S.
Dr. McCashin guest conducts in a variety of settings, including Regional and All-State Orchestras across the US, and is invited frequently to present conducting workshops and seminars for state teacher conferences throughout the nation.
He is, as well, a successful writer and arranger of educational publications, having now published nearly 50 works for the Grade I through VI levels. His original works and arrangements are published by both The FJH Music Company in Ft. Lauderdale, FL, and Tempo Press of Ann Arbor, MI. He has been a member of the Board of the Virginia Chapter of the American String Teachers Association, Chair of the ASTA National Merle Isaac Composition Competition, and Founder, Past President and National Board member for the College Orchestra Directors Association.
He is currently a full professor in the School of Music at James Madison University, where he is the Director of Orchestras and Professor of Conducting and Violin.
Peter Wilson is an engaging and multifaceted violinist and conductor; The Washington Post called his musicianship "first-class". He is Music Director of the Waynesboro Symphony and Richmond Philharmonic Orchestras in Virginia. Highly respected throughout the National Capital Region, he has served as a violinist of The White House for nearly a quarter century. He is Concertmaster of the American Festival Pops Orchestra and has guest conducted the National Symphony and the National Gallery Orchestras. He holds music degrees from Northwestern University and The Catholic University of America where he earned a Doctor of Musical Arts. Dr. Wilson began his professional career as Concertmaster of the Walt Disney World Orchestra. He has appeared as violin soloist with Rosemary Clooney, Renée Fleming, Bernadette Peters, and composer/conductor John Williams. He has appeared in international publications including The Strad, which stated “[Wilson] made music that had the stamp of quality.”