David and His Bag
of Tricks
David Bear
Stuart's childhood was far from conventional. His father worked for
the United Nations; his mother was a sculptor. He spent seven of his
first 17 years in Asia, including stays in Western Samoa, Nepal and
the Philippines.
Until Stuart
('86) moved back to the United States, his most unusual hobby was playing
competitive volleyball in Guam. It wasn't until after he moved to rural
Rockbridge County, an hour south of Harrisonburg, that he took up a
fairly exotic pastime -- juggling. A family friend was practicing in
his front yard, Stuart was intrigued, and that was the beginning.
Now it's his
career.
His first
two undergraduate years were at Washington and Lee University, at the
time all male, in Lexington. "I went there thinking pure academics,"
he explains, "but I didn't really fit into the fraternity scene."
His brother
was an art major at JMU, and Stuart found it a better niche. He transferred
in 1984 and majored in history. For one college talent show, Stuart
juggled goose eggs. Not realizing after the show that one had developed
a crack, he left them in his dorm room. "A few days later there was
this awful smell," he remembers, "and I couldn't imagine what was causing
it. It took the shine off juggling eggs for some time."
These days
Stuart, who has lived in Roanoke for seven years, juggles the usual
props -- balls, rings and clubs -- and risks the scarier ones too --
torches, knives
and machetes.
Has he ever
injured himself? He thinks for a moment or two, then remembers: "Oh,
my arm was on fire one time -- briefly," he adds. He describes the incident,
at a festival in Wise, Va., as "embarrassing," but the organizers did
hire him back the next year.
Despite the
risks of the art, Stuart does mention one quirk in his approach to things;
he refuses to buy health insurance. "It's probably not the best common
sense," he admits, and the rather radical point of view seems at odds
with his quiet speech and low-key modesty.
"I guess I
feel that if I can handle knives and torches, there's not much out there
that could scare me."
A juggler's
seasons fluctuate; busy months may mean 15 to 18 gigs, slower months
between four and eight. Stuart supplements his income here and there
on occasion by renting out an apartment, working for a local arborist
and teaching tennis lessons. And he reluctantly mentions a one-summer
stint as a country music deejay.
Gigs include
parades, private parties, hotel events, after-school programs and festivals.
"I really get pumped up in parades, to tell you the truth," he admits,
"you get kind of little snapshots, little vignettes of juggling. You're
having to move forward as part of this whole group of people."
Being an artist,
Stuart's mother understood his choice of careers perhaps sooner than
his father did. "My father was sort of like, 'Oh no, not another one,'"
Stuart remembers. "'Couldn't you do something like teach?'"
Instead of
a closet of three-piece suits, Stuart's work attire is a choice of Italian
Renaissance (purple-striped shirt and beret), Colonial (white blouse
with sash and armbands), Victorian English (top hat, ascot and cloak)
and medieval jester (tasseled hat and curly-toed shoes). "I have to
be careful sometimes where I wear that," Stuart says -- such as the
nightclub on downtown Roanoke's Salem Avenue -- where, in Stuart's words,
"the jokes are a little rawer and the people are a little rougher. I
think I even wore my tights," he says with a laugh.
And he doesn't
have a briefcase either. Instead, Stuart carries a real bag of tricks,
a duffel filled with juggling accessories as well as toys to amuse the
smaller children. He also creates balloon sculptures, especially for
the younger crowds.
Stuart practices
two hours a day, sometimes in the park across the street from his home,
sometimes at the gym and sometimes in his house, a brick two-story in
historic southwest Roanoke with hardwood floors and tall windows he
shares with two decidedly vocal cats. The high ceilings were part of
its allure when Stuart first bought it.
To Stuart,
juggling for a living is no big deal. Ten-year-old hecklers or catching
the wrong end of a flying machete -- it's all part of the job. "It's
pretty tame compared to some things," he insists. "I think my life is
pretty nonrisky except for the occasional tossing around of sharp objects.
"You do what
you love, and everything else will fall into place." And that includes
the torches.
Donna Dunn ('94)
Photo: Paul Calhoun
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